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Shouting at the Telly: Show Me The Funny - The Big Bang Theory (E4), Brooklyn Nine-Nine (E4), Undateable (Comedy Central)
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“Hello, I’m Shouting at Telly,
and I’m an American sitcom addict”.I
know this is an unfashionable statement and really I should be binge watching box
sets of Breaking Bad or Games of Thrones, but I don’t have the
time.I did have the time, but I lost it
when I stumbled across and old episode of
Frasier and before you know it, there’s my morning gone.People (by that I mean old people) will tell
you the heyday for British sitcoms was the 1970’s and 1980’s.They will reel off Porridge, Fawlty Towers and Dad’s
Army, conveniently forgetting On The
Buses, Love Thy Neighbour and Mind
Your Language.In the mid to late
80’s Brits got bored of sitcoms and comedy dramas came into vogue.Auf
Weidersen Pet was one of the first in 1983, written by Dick Clement and Ian
La Frenais who had previously written Porrige.The 30 minute sitcom gave way to the 60 minute
comedy drama which could you make laugh and cry (two emotions for the price of
one, bargain!).With a few exceptions mainstream
British TV has never regained its appetite for sitcoms.ITV changes its opinion on sitcoms more often
than the UK does on being part of the EU.ITV was until recently in, but appears to be leaving quickly again (let’s
not mention The Job Lot or Vicious) and since the demise of My Family, BBC 1 waits until a sitcom
proves itself on BBC 2 or BBC3 before snaffling it.(We discussed this in our review of BBC3going online the other week and Tracey Ullman’s Show.)
The other major factor for
their success was that in the 1970’s there were only 3 channels, so TV
programme ratings were huge.Quantity
was never a measure of quality though and given that we were all living through
a 3-day working week, power cuts and recovering from injuries sustained from flares
and platforms, any light relief was welcome. Also we could compare like for like with our
American cousins.Today BBC 1, 2 and ITV
have virtually no imported sitcoms, whereas in the 70’s we could enjoy M.A.S.H., Rhoda and Welcome Back,
Kotter. (Ok that last one may have passed you by.It was on at teatime on ITV and was the first
thing John Travolta appeared in.After Grease was a massive hit in 1978, ITV
picked it up...just in time for it to be cancelled in 1979.)
We no longer live in a world
of“broad”casting but “narrow”casting
with many channels catering for specific genres and niches.You want to just watch drama, there is the
drama channel; you just want to watch comedy, there is the comedy channel; you
just want to watch Top Gear repeats,
there is Dave.So now you have to search
for your American imports.And I
do.More than I really should.
American sitcoms are very
different from British sitcoms.Ok they
are usually 30 minutes long and find comedy in a situation; but the way they
are made is very different.British
sitcoms were traditionally written by partnerships (Clement and La Frenais; Cleese
and Booth; Galton and Simpson) and when they ran out of ideas/got bored/were
axed, they stopped writing.Americans
have long been fans of team writing.A
room of writers pitch ideas and a “show runner” (not to be confused with a
“runner runner” who fetches teas, coffees and dry cleaning) crafts them into a
script.It’s ironic that the largest
capitalist country in the world has adopted a collective workers formula for
creating its comedy output that Karl Marx would be a fan of; but hey, it
works.What this system does generate is
volume.People (still the same old
people we mentioned before) go on about how only 12 episodes of Fawlty Towers
were created and they are all perfect.It’s their brevity that seems to make them so special.There are only 12 of them so we should
cherish them more than if there were 20, 30 or 40 episodes.In America the magic number is 100 episodes
(i.e 4 series of 22 episodes and then...er... 12 more) as this means that you
can syndicate.This is a great Americanisation
for “repeat endlessly”.100 episodes
divided by a 5 day week means that you can show one episode every day without
repeating yourself for 20 weeks; or 2 eps every day for 10 weeks; or 4 eps a
day for 5 weeks, or ....you get the idea.
Friends ran
for 236 episodes; How I Met Your Mother
208; and The Big Bang Theory has
clocked up 201 episodes to date.All
very syndicatable (I don’t think that is a real word, but it really should
be).On the quantity and quality
argument, not all American sitcoms are great (even ITV2 gave up on Dads) but neither are British ones.We would never (I hope) export Jonny
Vaughan’s ‘Orrible (Google it.It was bad) so equally we just see the crème
de la crème of American sitcoms. And I like them.
Media people hunt in packs
and if you watch enough of these you will notice the same names popping up, so
watching the end titles first gives you an indication of whether you will like
the show and where you have seen half of the cast before.So if you see a Chuck Lorre “Vanity board”
(all of which you can see here) then you know it has come from the Roseanne, Mike and Molly, Two and Half Men, Big Bang stable; Dan Goor (not a real doctor) Parks and Recreation and Brooklyn
Nine-Nine; Doozer Productions, Scrubs
and Undateable. Then there is the
shadow cast over all American sitcoms by Saturday
Night Live, the late night comedy show whose alumni are some of film and TV’s
most popular (and profitable) performers.Will Ferrell; Amy Poehler and Tina Fey who wrote, along with a team,
obviously, my personal; favourite, 30
Rock.(I might as well confess this
now, no offence to the current Mrs Shouting at the Telly, but I think that Tina
Fey is my ideal woman.Funny, clever and
beautiful.She has however led me to
having confused feelings towards Sarah Palin.That’s not to say that everything she does is perfect, as anyone who has
seen Sisters will confirm.)
Some British comedians sneer
at the likes of Big Bang, Brooklyn
Nine-Nine and their ilk, but I think they are being unfair.Ok, so sometimes the situation part of the
situation comedy goes awry in these shows (you can tell when a series is
running out of steam when you find yourself thinking “that would NEVER happen”),
but the comedy is relentless.American
sitcoms work on an 8 gags per page formula.Some gags will work, others won’t, but with that volume and the right
characters and actors, it should, and usually does work. Ok, this may be the McDonalds, fast food
version of comedy but it’s what Americans do, and always have done, well.Groucho Marx was a genius of wise cracks and
that comes through in the lines that Andy Samberg delivers in Brooklyn Nine-Nine.So what if the action in Undateable mainly takes place in a bar,
that never stopped Cheers from being
great; and ok, if you know the character traits of the characters in Big Bang you can deduce the punch line
from the setup, but at least the punch line is still funny, and no one seemed
to complain that you could do exactly the same trick with the characters in the
Fast Show.And that is why I will still unashamedly
watch American sitcoms, because they make me laugh.A lot. Usually.